A walk through the rooms where Cambodia records — from the live room to the control desk.
Book a sessionA large, variable-acoustic live room for full ensembles, pin peat and string sections — with clear sightlines to the control desk.
An intimate, tightly-treated booth for vocals, smot and chapei — where the quietest detail still lands.
Hybrid analogue-and-digital mixing with engineers fluent in both Khmer and Western traditions — from first take to final master.
An intimate room for interviews and conversation — where artists, visitors and supporters of Smiling Gecko share their stories.
Move freely between the live room, the booth and the control desk — the same signal chain follows your session from first take to final master.
Hybrid analogue + digital path, multitrack to a modern DAW, with tape-style warmth on the way in.
Large- and small-diaphragm condensers, ribbons and dynamics — chosen for voice and acoustic detail.
Near-field and midfield reference monitors, with independent cue mixes for every room.
Preamps, compressors, EQ and effects for shaping tone in the room rather than fixing it later.
A living collection on site — pin peat ensemble, chapei dang veng, tro and roneat — ready to play.
Drum kit, keys, and guitar & bass amps available on request — tell us what your session needs.
Solo artists to full ensembles, tracked in either room with an engineer throughout.
Hybrid mixing that respects both traditional and contemporary sound.
Delivery-ready masters for streaming, broadcast and physical release.
Shoot against the studios, auditorium, architecture and gardens of The Gong.
Multi-cam live recordings on the 100-seat stage, captured to studio standard.
Access the on-site Khmer instrument collection and a curated backline.
Send a few details and our studio team will come back with availability and a tailored quote. Every session includes an in-house engineer — half-day, full-day or multi-day, arranged by email.